The collage is not a flat surface, but a network of relationships. A figure leads to a brand, a brand to a face, a face to a word, in a continuous chain of associations. The central eye — a recurring symbol — becomes a metaphor for the mutual surveillance between viewer and image. The one who looks is also being looked at.
It reveals how the aesthetics of desire are constructed, orchestrated, distributed. How eroticism becomes an economic language. How freedom is often packaged. The woman is not merely a represented subject: she is a stage, a spectacle, a media construction. The female body, reiterated through poses, gazes, and seductive postures, becomes a surface onto which aspirations, power, consumption, and identity are projected.
The year “1987” is not just a temporal reference: it is a set of cultural coordinates. It marks the moment when glamour becomes global, when the brand asserts itself as a language, and when the image progressively replaces narrative.
